Dr. Dora Apel
Dora Apel teaches courses on modern and contemporary art, photography and visual culture. She is the author of four books: Beautiful Terrible Ruins: Detroit and the Anxiety of Decline; War Culture and the Contest of Images; Imagery of Lynching: Black Men, White Women, and the Mob; and Memory Effects: The Holocaust and the Art of Secondary Witnessing; and co-author of Lynching Photographs, with Shawn Michelle Smith. Her book Calling Memory into Place is forthcoming.
Her work encompasses traumatic imagery, memory, and associated cultural practices, war and violence; the merging of documentary, photojournalistic, and artistic practices; the positioning of contemporary documentary within a globalized world; gender and sexuality; race and ethnicity; museum practices; globalization, cities and ruins.
Apel's work is also published in Jacobin, The Brooklyn Rail, Art Bulletin, Art Journal, Oxford Art Journal, New German Critique, American Quarterly, Dissent, Journal of Visual Culture, Mississippi Quarterly, Left History, and Theory & Event; in the online journals Essay'd, OpenDemocracy, Dissent and Other Voices, and in exhibition catalogs such as The Color Line: Les Artistes Africain-Americain et la Segregation (Musee de quai Branly-Paris, 2016). A two-part interview on Beautiful Terrible Ruins was published in Mediapolis 3 & 4 at www.mediapolisjournal.com/2018/09/the-mediapolis-qa-dora-apel-pt-1/.
She has contributed chapters to edited volumes, including the essay "Thirsty Cities: Who Owns the Right to Water?" published in The Routledge Companion to Urban Imaginaries, and essays in Representations of Pain in Art and Visual Culture, Violence and Visibility in Modern History , The Oxford Handbook of Holocaust Studies, What Is Radical Politics Today?, and Visual Culture and The Holocaust . Her work has been reprinted in journals such as Nka: Journal of Contemporary African Art and edited volumes such as The Uncertain States of America Reader and Krzysztof Wodiczko. She is the editor or co-editor of ten exhibition catalogs for Cranbrook Art Museum.
In 2017 she was elected a lifetime member of the Academy of Scholars. She received her PhD. in Art History and PhD. Certificate in Cultural Studies from the University of Pittsburgh.